Possible spoiler alert! I knew the basic outline of the story of Frank and Mamah going into it, so I dreaded getting to end of it. Nancy Horan created a very sympathetic portrayal of Mamah - and I really wanted them to have more time together. Probably Frank's ego and narcissism would have meant that he eventually would have cheated on her. And if Mamah had grown enough to leave him, perhaps she would have gone on to an illustrious career. As it was, these two kindred spirits had a kind of co-dependent relationship that both helped and hindered their individual lives. I think Nancy Horan did a marvelous job with the historical information available to her of staying true to the characters and the time period, and yet getting inside their heads in a very believable way. There were a few gaps in the story where the narrative either glossed over large chunks of time or could have been fleshed out with more details, but I think Ms. Horan wanted to avoid making up anything that wasn't supported by her research. As it was, she worked an enormous amount of detail into the story, surrounding it with a very elegant style of prose that beautifully evoked the time period, and flowed in a very readable manner. I could have wished for a list of her sources or suggestions for further reading at the end of the book.
I first read this so long ago, that I do not remember reading it. Definitely written for children, Tolkien wrote this 30+ years before The Lord of the Rings. Here, the famous ring is just a magic ring of invisibility, without the dark overtones and corrupting power that it would acquire later. That is not to say that the book can't also be enjoyed by teens and adults, although I found the silly rhyming names of the dwarves to be somewhat distracting. Tolkien did go back and revise The Hobbit so that the version we have now is more in line with what he wrote later after developing the world of Middle Earth. We can imagine that perhaps this is the version of his adventures that Bilbo wrote to tell his nieces and nephews. I can definitely identify with Bilbo's conflicting needs for adventure and security. But it is through adventure, through stretching ourselves, and leaving our comfort zones, that we grow as human beings. This is also a cautionary tale about greed. I look forward to seeing what Peter Jackson has done with the movie, and I'll also be taking a look at The Annotated Hobbit.
This is everything I love about historical novels and family sagas: big, sweeping, panoramic, enough history to understand the context, enough detail to put me in that time and place, characters that I care about, a little romance, a lot of adventure, and a satisfying ending. This caught my attention in connection with my Moby-Dick project because it had the word "sea" in the title. Other than that, there is no connection. It is not a sea story. For information and pictures of the cathdral see http://www.aviewoncities.com/barcelona/santamariadelmar.htm . I listened to an audio recording of the book. Otherwise I would have been stumbling over the pronunciation of Spanish names and places. It had me sitting in my garage on multiple occasions after driving home from work because I didn't want to stop the narrative. Arnau begins life as the son of a runaway serf, joins the guild of the bastaix (porters who unload the cargo from the ships in the harbor) who carry stones from the quarry to the building site on their own time because of their dedication to the Virgin of the Sea. Through Arnau's eyes, we see life in Barcelona during times of famine and plague, relations with the Jews, the Inquisition, war, the growing maritime prosperity of Catalonia and the merchant classes, and the role of religion and faith from differing perspectives. Arnau is a good man at his core, but he is not above exacting revenge on those who have harmed him and those he loves. Well researched, I did not mind the historical asides, and learned a lot about a less familiar region of medieval Europe.
Straightforward and easily readable. This is a no-nonsense overview of Native American history, culture, politics, and religion. Includes a bibliography for further reading.
The first book in this series was such a brilliant debut, that I just couldn't give this one 5 stars, but nevertheless, I enjoyed it immensely. Flavia is a wonderful, precocious, almost scary child. The mystery wasn't quite as compelling in this one - Flavia is never in any great danger - so it comes across as more of a cozy than the first book. But we have all of the same wonderful characters and a few new ones - Dieter, a German POW, Mad Meg, and Aunt Felicity, who might be the only adult who understands and appreciates Flavia. And we have some delightfully humorous situations - the vicar naked in the woods, the two tea room ladies with their Russian samovar (almost a character in its own right), Mad Meg and her penchant for shiny objects, Flavia's sisters constant attempts to convince Flavia that she is adopted, and the opening with Flavia imagining her own funeral. I recently "reread" the first book on audio, and followed up with this one. The narrator Jayne Entwistle has the perfect voice for Flavia. Highly recommended.
I love the premise of this book, being a researcher and historian myself. I also like investigations into the paranormal. However - this ends up bordering on magic and fantasy. The historical side of the story was very well done. I would like to have learned more about these women and their relationships with their daughters. It's interesting to see Connie's mother covering up her magical abilities in New Age mysticism, and to show the relationship develop between Connie and her mother. I did find it a little hard to swallow the idea that Connie is only learning of her own paranormal abilities in her twenties. I also wish that the psychic and paranormal elements had been more "ordinary" and less fantastical. The love story between Connie and Sam the steeplejack was sweet. I wouldn't call this a mystery exactly, since the clues were obvious to the reader, nor is it a thriller. You'll know who the bad guy is long before Connie does. I listened to the audiobook, so the phonetic dialect spellings didn't bother me. On the other hand, I wasn't at all convinced by the narrator's (Katherine Kellgren) Boston accent.
I loved the first third of this book. I loved Pi and his rambling thoughts about life, animals, religion, and experience. 5 stars up to that point. But after the shipwreck it drifted down to 3 stars, so I'll give it 4 overall. The lifeboat experiences became tedious, too many gory details, although perhaps it was intended to portray the monotony of endless days just trying to survive. This is not a fantasy novel. But it is not quite allegory either. It reminds me of a phrase we use at church after the reading of scripture. "I don't know if it really happened this way, but I know the story is true." This book is not what I expected. It is a witness to the worst that can happen to a human being and how we frame our experiences in light of whatever beliefs we have about life, God and the universe that allow us to survive and make sense of things without going insane. I look forward to seeing the movie.
A slim and very readable summation of what makes Moby-Dick great. It almost makes me want to reread it again now.
Setting: England, Hatfield House
Setting: England, London, Whitehall Palace
Setting: England, Derbyshire, Hardwick Manor, London
Setting: Sweden, England, London, Whitehall Palace and various
Setting: England, London, Greenwich Palace, Richmond Palace, Bridewell Palace, Hever Castle, Windsor Castle